I was fortunate to be discovered by two families recently who are selling their houses and wanted a keepsake of their former homes. This is the first, I hope to get the finer details worked out with the client of the second one soon.

I used a pen that was almost out of ink and ran it very quickly across the lawn to give it a sense of substance but also convey that it was neatly mowed. I had a lot of fun rendering that kooky cloud as well. I original started shooting for a fluffy Franklin Booth cloud but ended up with this hatchy Bernie Wrightson formation that I think works better in this piece, especially with all the line work going on already.

Every so often I’ll be working on an idea and be thinking “Surely someone has done something like this before that I could crib from in order to make my own thing.” I’ll scour Google, Tumblr, Blogs and the like searching for material, turning up some similar material, but only pictures that have pieces of what I was after. Then months down the line after the project is done I’ll find an illustration that I’ve never seen in my life thats almost exactly like what I had in my head when I first started and I wonder, “Where was this when I needed it?” This is one of those times.

Deja Vu: Gilbert Darling vs. Norman Rockwell!

We’ve joked before about famous artists stealing from the other guys, but with between the dates and the style of clothes, this just can’t be a coincidence!

Deja Vu. Norman Rockwell/ Harry Beckhoff.

Not as blatant as my previous post, but certainly a similar set up.

Deja Vu

Deja Vu: Lure of the Library

Deja Vu: J.C. Halden - Bernie Wrightson

Deja Vu: Robert Fawcett / Frank Frazetta

I’m feeling a bit of Deja Vu.

themarysue:

goldenheartedrose:

johnwatsonswindmachine:

nethilia:

murdorito:

ankankimatank:

dollymacabre:

mszombi:

fleurdulys:

The Irritating Gentleman - Berthold Woltze

1874

I know that feel, Painting Lady. 

My bus ride to and from work every day.

They never published the second picture, which was the one where she backhanded him in the fucking face for getting all up in her shit.

Oh great, good to know this has been a problem for HUNDREDS OF YEARS CAN WE PLEASE STOP DOING THIS ALREADY JUST FUCK OFF AND LEAVE ME ALONE

Everyone is overlooking something very significant in this picture, that I saw in two seconds, that adds a layer of super slime to his whole awful attitude. “The Irritating Gentleman” is a politeness.

She’s wearing all black in 1874. Black gloves, hat, cloak, and dress. In public. The whole nine yards. That’s not a fashion choice or a gothic thing. Back then when people wore all black like that, they were in mourning for someone who died. No one did mourning like the Victorians, that shit was an art form to them.

Someone in her family has died—she could even be a young widow. No one’s accompanying her either. With the carpet bag? She’s traveling alone while still in deep mourning. Look at the closeup. She’s got tears in her eyes. She is upset, devastated in a way that one is only when someone has died. And the guy’s still bothering her, like her problems are flippant bullshit and she needs to just smile or pay attention to him because ladies are supposed to be pleasing for men no matter what shit they’re going through. That’s not a look of “what an ass.” That’s a look of devastation that even in her pain, she’s expected to give people like him focus. She’s not mad. She’s hurt. And to add insult to injury? Everyone would be able to tell. It was a clear sign and still is in ways that someone is mourning, to dress in black crepe like that. He would know why she’s wearing all black, and he’s still demanding her attention.

What an insufferable dick.

At least I’m not the only one who saw this.

I’m reblogging myself to add some comments from my mom. She’s a docent at the Portland Art Museum, and I wanted to see her take on this painting, given her art/art history knowledge. She said: 

“Just looking at it I’d say she’s recently lost her parent(s). She’s traveling alone and is waiting in a station that would be considered too “rough” for a lady in high standing. The crates around her, even the behavior of the man would indicate she’s in a rough part of town. Also, there’s a tear on her face, so not only is she grieving a loss, she’s grieving a loss of position and safety in the world.”

Reblogging for that comment right there.

Art history! It’s cool!